Carey Mulligan, 27,  landed the May issue of Vogue Magazine. On the cover, and inside the magazine, Carey poses as Daisy Buchanan from ‘The Great Gatsby.’ The pictorial is all about Gatsby, which premieres at Cannes, and opens in May. I’m so excited to see the film!!

Carey looks beautiful as Daisy, in the pictures shot by Mario Testino. You can see the full slideshow here!

Read clips from the interview, and see many more pictures after the jump! (more…)

Beyonce covers the May issue of Vogue UK, and today we’re getting our first look at the pictures! I like the cover (enough), but the other two pictures are really rather boring for Vogue, aren’t they?

In the interview, Beyonce opens up about being a feminist, Mrs. Carter and a mother. Here are some clips:

Beyonce a feminist? “That word can be very extreme… But I guess I am a modern-day feminist. I do believe in equality. Why do you have to choose what type of woman you are? Why do you have to label yourself anything? I’m just a woman and I love being a woman. If you’re attractive then you can’t be sexy, and you can’t be intelligent? What is all of that?…”

On being called Mrs. Carter: “I do believe in equality and that we have a way to go and it’s something that’s pushed aside and something that we have been conditioned to accept. But I’m happily married. I love my husband. I feel like Mrs Carter is who I am, but more bold and more fearless than I’ve ever been. It comes from knowing my purpose and really meeting myself once I saw my child. I was like, ‘OK, this is what you were born to do.’ The purpose of my body became completely different.”

On motherhood: “I definitely want my daughter to have goals and drive and passion – it has to be a balance. I hope she figures it out. Whatever makes her happy, I’m there. I do feel like I’m going to be honest with my daughter.”

I think Beyonce comes off as a super feminist. Doesn’t she? I mean I don’t think that’s necessarily a horrible thing, but what’s different about a modern-day feminist vs. a plain ol’ feminist? Food for thought.

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Lady Gaga’s cover for Vogue’s September issue has finally arrived!

It was revealed in June that the singer would grace the magazine’s biggest issue of the year. This is Gaga’s second time on the cover of Vogue (you can see her cover from last year here!).

Gaga started teasing fans on Tuesday, letting them know the cover was on it’s way. “Don’t worry I’ve been txting Wintour all morning trying to get that cover queens. next im sending bagels to VOGUE (complex carbohydrate war)”

Gaga posted an image of the cover – plus one more – on Twitter.

Describing the cover image, Lady Gaga wrote, “I’m totally channeling fozzibear.” She’s not so off-base: her hair, blonde this time (not creamy pink) is teased into a majorly furry mess onto the top of her head. The volume on top is matched by volume below in the form of a striking magenta Marc Jacobs dress, billowing at the hips and splaying out with a mermaid hem. Inside the mag, Gaga poses in the buff with a giant Steven Jones hat, also in magenta.

What do you think of Gaga’s cover? I think the cover is okay (boring), but I love the shot below. I think it’s beautiful!

Here are some tidbits from the interview via Celebitchy:

She’s such a rebel: “I’m a complete free spirit, so, even though you don’t see it, I still find time to have sex at night on the beach when no one’s around. Or roll into a bar and get [bleeped] up, and dance with my top off. It’s just that no one ever sees that, because I have great real friends who never let me do it when I would get caught.”

On her artifice: “I hate the truth so much that I would prefer a giant dose of bull[bleep] any day,” she says. Vogue interviewed Gaga in Japan where she says she finds her most ardent fans. “I think . . . it has to do with the obsession with fantasy. I think I sort of just fit right in over here.”

On her perfume: She said yes to Coty’s request on the condition that the company not only conjure scent notes to her specification but figure out how to create a liquid that appears black in the bottle, but when sprayed, becomes clear. (After all, she points out, “The fragrance is called Fame. It must be black. It must be enticing. You must want to lick and touch and feel it, but the look of it must terrify you.”)

That damn meat dress is back: The reinvention of the meat dress is one of thehighlights of the Born This Way Ball). “We were talking about putting the showtogether, and I said, OK, what if I was someone’s grandma and I was going to a concert tonight. How would I know that it was a Gaga show? And we all just sort of looked at each other and said,’The meat dress.’”

Why she makes music: “I don’t really make records for people to listen to and go, ‘Wow, she’s a genius.’ I’d really like you to order a drink, maybe kiss theperson you came with that evening, or rediscover something about your past that makes you feel even more brave.”

Did they photoshop away all her tattoos?

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I’m somewhere in the middle of gorgeous and strange. Part of me thinks she looks great on the July cover of Vogue, and part of me thinks she looks almost fake? It’s hard to put my finger on it. All I know is that photo below of her in the newsboy hat is by far the worst picture of Emma I’ve EVER seen. Even though these pictures were done by the amazing Mario Testino, I’m not sure I’m in love with this photoshoot.

Here’s more from Vogue:

This summer finds 23-year-old Emma Stone dangling from the rooftops in herblockbuster breakout as Peter Parker’s brainy blonde girlfriend in The Amazing Spider-Man—and gracing her first-ever cover of Vogue.

With photos shot by Mario Testino, Stone cultivates a persona all her own, an innate, antic glamour that’s inspired as much by Diane Keaton’s Annie Hall style as Lanvin and Giambattista Valli. And in July’s profile, Nathan Heller encounters the actress at the cusp of a pivotal transformation in her young career, after earningher reputation as Hollywood’s go-to girl for strong, spunky characters bridging unreconciled worlds, going brunette for Superbad and making her move from comedy to The Help.

“Working with Emma was like diving into a thrilling, twisting river and never holding on to the sides,” says her Spider-Man costar Andrew Garfield. “From the start. To the end. Spontaneous. In the moment. Present. Terrifying. Vital. The only way acting with someone should be.”

In our cover story, Stone recounts what it’s like to see her childhood dreams come true (appearing at the Oscars in February, hosting Saturday Night Live); confesses to a history of panic attacks and how she learned, growing up in Arizona, to channel that anxiety into laughter (“Comedy was my sport”); and reveals how she launched into acting at the age of fourteen (to convince her parents to let her move to L.A. to pursue her dream, she made a PowerPoint presentation). That may have been her first major performance—now, as Spider-Man leaps into theaters, we’ll see her hanging from the precipice, perfectly poised for her next big moment.

I am still having a hard time understanding why we needed another Spider-Man movie. It hasn’t been that long since Tobey Maguire played the super-hero. I love a good Marvel movie, but this one I’m not dying to see. I guess I don’t see the point in making another Spider-Man movie so quick. It’s obviously for money – and money only – and I just hope the movie doesn’t suck as bad as I think it will.

What do you think? Excited to see the new movie?

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Gisele Bundchen shows off her amazing body on the new cover of Vogue Paris. It doesn’t look like your typical Vogue cover, and I like it! It certainly looks more like a Sports Illustrated Swimsuit Edition than a cover of Vogue. Gisele looks absolutely gorgeous. DANG!

In other Gisele news, she’s just been named the face of David Yurman’s clothing line.

Hot on the heels of the Met Ball, Gisele Bündchen trades Givenchy couture for a beach-chic look in the David Yurman fall 2012 campaign. Famed photographer Peter Lindbergh shot the black-and-white ad images on location in Malibu.

The supermodel looks flawless (and appears to be wearing minimal makeup) while lounging in a jean jacket and showing off Yurman’s signature bracelets and rings above. (She wears a simple bikini top, multiple necklaces and not much else in a second shot.)

And in an exclusive on-set candid (here), Bündchen is caught mid-giggle while getting her tousled hair touched up — and she still looks stunning. Apparently no matter what Mrs. Tom Brady is doing, she always looks good.

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Kim Kardashian was spotted with short hair over the weekend – during a photoshoot for Vogue Italia. A Kardashian in Vogue!? What has the world come to!

Kim, 31, tweeted the photo below, writing “Amazing shoot today for Vogue Italia! Thank you @Rushka_Bergman & @akafrancesco for your creative genius!!!”

She wore a pixie-cut wig (which makes her look like her mom’s twin), sunglasses and a leather jacket for the shoot.

Her boyfriend, Kanye West, stopped by the shoot for a little support.

Photos: Fame/Flynet

Scarlett Johansson is Vogue’s May cover girl. (Grace Kelly anyone?) I think she looks beautiful, but it’s no where as hot as Charlize Theron in Vogue UK if you ask me.

Scarlett gives a good interview, however. She talked about her marriage and divorce from Ryan Reynolds. I think it’s sad to read about how she’s still not over the divorce, and how she wishes things would have ended up differently. She admits things started falling apart when he went off to film ‘The Green Lantern’ – which makes me even sadder. The movie SUCKED… it wasn’t worth it.

Here’s more from the interview via Celebitchy:

Being older: “It feels like a lifetime ago,” Johansson says. “Am I happy I’m not 20 anymore? Yeah. Nineteen? I don’t want to be that age. It’s incredibly confusing.”

Working with Woody Allen: “I forged this unbelievable friendship with somebody who saw the potential in me at that age,” Johansson says. She would later work with Allen on Scoop and Vicky Cristina Barcelona. “Not that the parts he wrote weren’t sexy, but they had substance to them.”

Marrying Ryan Reynolds: “We always kept our story private—how we met, our wedding, everything,” she says. “It was about us.”

The divorce: Johansson describes it as “comically amicable,” but the parting was far from painless. “It was horrible,” she says. “Of course it’s horrible. It was devastating. It really throws you. You think that your life is going to be one way, and then, for various reasons or whatever, it doesn’t work out. This was something I never thought I would be doing,” she continues. “And there’s no way to navigate it. Nobody can give you the right answer. It’s never anything you want to hear. It’s a very lonely thing. It’s like the loneliest thing you’ll ever do, in some way.”

She’s almost wistful about it: “I’m not saying more time in the marriage, but just having more time with my ex and really clocking those hours of face time with the person you love, really live together and not having the pressure of two people that have these careers. . . .” She has no regrets about getting married; she describes the experience with genuine affection. “It was a beautiful thing,” Johansson says. “The falling in love and getting married and making that commitment . . . I think it’s nice to know that you’re capable of loving somebody in that way. I think it’s a rare opportunity.” She says she is still recovering and doesn’t pretend the divorce is fully in the rearview. “I don’t feel on the other side of it completely, but it gets better,” she says. “It’s still there. More than anything, it’s just that not having your buddy around all the time is weird. There’s no rule book. I think it’s just time.”

On Sean Penn: “We spent time together, yeah,” she says. “I never put a title on it, really, but we were seeing each other.” She says she was startled by the amount of media attention the pairing received. “In my marriage, funnily enough, we had relative privacy,” she says, but the fuss over her and Penn “was a little bit of an adjustment.” She says she and Penn have remained friends, and she praises his extensive relief work in Haiti. “He’s a remarkable person,” she says. “He really is.”

Being hacked: “It wasn’t just me,” Johansson says. “It was others. I don’t want to be a victim and say, ‘Oh, well’ and just hide my head in shame. Somebody stole something from me. . . . It’s sick. I don’t want people like that to slide.” The incident clearly still rattles her. “When all those photos came out, of course I go out to dinner and think, Goddamn it, these people have all seen my. . . .” Johansson’s voice trails off. “That’s terrible. You know what I mean? You can’t not think that. Even if they haven’t, you’re paranoid. I don’t want pity,” she says. Her solution, she says, was “tuning it all out”—to stop paying attention to the gossip and the endless churn of celebrity coverage. She says she had never paid much attention to it before, but she imposed a strict blackout. “I have to say I’m way happier because of it,” she says. “It’s nice. It allows me, I think, to be more creative. It’s nice not to be so self-aware.”

On playing Black Widow: “Female superheroes normally are superlame.” Natasha/Black Widow “is kind of gray. I like that about her.”

The most beautiful man in the world: Lately, Johansson has been dating a New York–based advertising creative director named Nate Naylor; they’ve been photographed by the paparazzi on the Manhattan streets and vacationing in Hawaii—the actress and the real-life Don Draper. Seeing someone out of the public eye may be a comparatively tranquil experience for Johansson, but for her new beau, dating a celebrity has been a real change. Johansson seems amused by how well Naylor has dealt with the sudden attention. “It must be very strange for him,” she says, smiling. “It’s totally bizarre. It’s an adjustment—I mean, it’s got to be an adjustment for him way more than it was for me at nineteen. But he’s really remarkably good about it.”

She does look great in these pictures. I especially like the first few with Mark Ruffalo. YUM. Check out the beautiful pics below!

Full interview at Vogue.com