VOGUE: Sarah Jessica Parker opens about everything from raising three children, to her “fatal flaw”

Sarah Jessica Parker has certainly kept busy after leaving her role as Carrie Bradshaw on the much-adored TV series “Sex and the City.” Between raising three children, working for Halston and keeping a healthy onscreen career, the 46-year-old actress says her life these days is “like a ship avoiding icebergs.”
On being a mom and raising three children:
“Like a ship avoiding icebergs” is how she cheerfully describes the running of her life. “The internal lists, the children’s doctor’s appointments, the letters to write, the school projects. . . .” At night she lies in bed and does what she calls every mom’s “strategic planning” for the day ahead: “What you have to do and how to get the kids from A to B, and whatever is required of you at your work. And maybe you can toss in friendships that need to be attended to. . . . The thing that’s most surprising to me is how much we do in a day.”
They have three nannies, but she says they’re “pretty hands-on parents”:
“It’s a pretty simple setup,” she says of the domestic situation she shares with her husband, Matthew Broderick. There’s a nanny for their toddler twins, Loretta and Tabitha, and someone else to help with the logistics of eight-year-old James Wilkie’s schedule. “We don’t have any live-in help. We’re pretty hands-on parents. That’s something that’s important to both of us, and we don’t shirk it, because what’s the point in having a family if you’re not going to really participate in it, you know?”
On Carrie Bradshaw vs. her Kate in her new movie, ‘I Don’t Know How She Does It’:
“I loved the part, and I can obviously relate to Kate,” says Parker. “I tried to make myself look more presentable today”—in fact, she is the picture of mommy chic in a yellow silk Gerard Darel sundress, a loose-weave striped sweater, flat pumps, a Chloé handbag, and large Chanel sunglasses—“but the odds of not being, when I leave the house in the morning, are pretty high.” All the evidence points otherwise: Parker has developed a genius for pulling together glamorous and appropriate looks for every hour of her day, but the truth is, she doesn’t identify herself with Carrie the way everyone else does. “Bradshaw’s life is nothing—nothing—like mine,” she says. “I loved playing her, and it changed my life in lots of wonderful ways, but I’m not a crazy shoe lady, I don’t think about fashion all day long, although I have a great respect for the industry. Every choice we’ve made has been different, but with Kate I really understood the attempt at a life.”
On being stalked by paparazzi:
“You do start to understand the behind-the-gate mentality, the getting in the car in your driveway,” she says as she pours herself tea, “but I can’t imagine living in seclusion. We flirted with it. We went outside the city and troubled all these Realtors and stood in these homes and fantasized, and then I kept picturing nine o’clock at night and”—she breaks into mime, drumming her fingers on her crossed knees and staring into the middle distance. “The beautiful thing about New York is, you have to expose yourself to other people the minute you step outside the door. There is no choice. And I love that.” Plus, of course, there’s the cultural life. Broderick, a born-and-bred New Yorker, works mostly on Broadway. Next spring he will star in Nice Work if You Can Get It, directed by Kathleen Marshall. As for Parker, “If I didn’t have kids,” she says, “I would be at the theater or the ballet every single night of my life.”
On her work ethic, what she calls her “fatal flaw”:
“It’s kind of all I’ve known,” she says, laughing as she adds, “I’m a bitter-ender. It’s potentially my fatal flaw that I do not give up on something. I will not rest. I work and work and work until I can no longer and someone has to remove me from the premises.”
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